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Original Title: Wilhelm Meisters Lehrjahre
ISBN: 0691043442 (ISBN13: 9780691043449)
Edition Language: English
Characters: Laertes, Wilhelm Meister, Philine, Mignon
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Wilhelm Meister's Apprenticeship Paperback | Pages: 396 pages
Rating: 3.81 | 2543 Users | 92 Reviews

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Title:Wilhelm Meister's Apprenticeship
Author:Johann Wolfgang von Goethe
Book Format:Paperback
Book Edition:Special Edition
Pages:Pages: 396 pages
Published:April 3rd 1995 by Princeton University Press (first published 1795)
Categories:Classics. Fiction. European Literature. German Literature

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Wilhelm Meister's Apprenticeship, a novel of self-realization greatly admired by the Romantics, has been called the first Bildungsroman and has had a tremendous influence on the history of the German novel. The story centers on Wilhelm, a young man living in the mid-1700s who strives to break free from the restrictive world of economics and seeks fulfillment as an actor and playwright. Along with Eric Blackall's fresh translation of the work, this edition contains notes and an afterword by the translator that aims to put this novel into historical and artistic perspective for twentieth-century readers while showing how it defies categorization.

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Ratings: 3.81 From 2543 Users | 92 Reviews

Rate Epithetical Books Wilhelm Meister's Apprenticeship
Usually when I want to give something 3.5 stars it's a holistic judgment -- I more than "liked" it, but I didn't quite "really like" it. Wilhelm Meister's Apprenticeship is a different story. Although it was generally a 3-star book, there were brief shining 4-star moments and characters! Unfortunately, Goethe and I apparently disagree about what constitutes a five-star rating, because the very characters and situations that intrigued me in the opening of the novel were those that Goethe's ending

The novel is a work of genius. Read it not for its storytelling but read it slowly, and carefully and reflect. The story is about overcoming yourself, fate and society. Educate yourself. Experiment. Find your vocation. Be able to change. Know your limits. Live freely with courage and fortitude.

The bildungsroman is generally considered to have been created by Johann Wolfgang von Goethe in the 18th century with his novels Wilhelm Meister's Apprenticeship and The Sorrows of Young Werther. The main theme of this genre is seeing the protagonist mature from childhood into adulthood, and usually endure a series of challenges and obstacles along the way. The hero of Wilhelm Meister's Apprenticeship dreams of a life in the theatre, as exotic to him as space travel might seem to us. When an

Meister might be the first bildungsroman, but it sure isnt a spectacular novel. I had no pangs of conscience for speed-reading to keep up with a syllabus and, honestly, conserve mental space. Goethe crowds eight episodes or narratives one for each of eight books with details, encounters, and histories that perhaps showcase his inventiveness, but certainly take too long in the telling. And although each event, each character turns up again by the novels conclusion, in token of the synthetic,

This is the prototypical Bildungsroman - the influence of "Wilhelm Meister" on global literary history can hardly be overestimated, because with this text from 1795, Goethe defined the genre. The central aspect he highlighted is that "Bildung" does not only entail formal education, but also the development of personal opinions and attitudes, the contemplation of cultural and societal values as well as the ability to critically reflect oneself and the world. On the basis of this text, the

I know this is an important novel historically being the first 'bildungsroman' and Goethe is acknowledged as a classic writer but god this was dull.Probably not helped by being a contemporary translation by Thomas Carlyle which is very old fashioned in style and difficult to read at length.Some parts were interested such as the description of the production of Hamlet which held the attention better than most of the rest. The only reason I continued was because its a 1001 book. I've read the

This strange but mostly involving novel, first published in 1795, is not altogether satisfying as a work of storytelling, but is filled with unexpected characters and events. Indeed, especially in the first half, Goethe shows a special genius for one of my own definitions of storytelling: the art of creating lifelike surprises. This he does time and time again in the course of depicting a young man's efforts to break free of his bourgeois background to embark on a career in theater. By the end,