Describe Books Supposing Culture and Imperialism
Original Title: | Culture and Imperialism |
ISBN: | 0679750541 (ISBN13: 9780679750543) |
Edition Language: | English |
Literary Awards: | Lionel Trilling Book Award (1994) |
Edward W. Said
Paperback | Pages: 380 pages Rating: 4.15 | 4419 Users | 153 Reviews
Present Based On Books Culture and Imperialism
Title | : | Culture and Imperialism |
Author | : | Edward W. Said |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 380 pages |
Published | : | May 31st 1994 by Vintage (first published 1993) |
Categories | : | Nonfiction. History. Politics. Philosophy. Theory. Sociology. Cultural |
Interpretation In Favor Of Books Culture and Imperialism
Edward Said makes one of the strongest cases ever for the aphorism, "the pen is mightier than the sword." This is a brilliant work of literary criticism that essentially becomes political science. Culture and Imperialism demonstrates that Western imperialism's most effective tools for dominating other cultures have been literary in nature as much as political and economic. He traces the themes of 19th- and 20th-century Western fiction and contemporary mass media as weapons of conquest and also brilliantly analyzes the rise of oppositional indigenous voices in the literatures of the "colonies." Said would argue that it's no mere coincidence that it was a Victorian Englishman, Edward G. Bulwer-Lytton, who coined the phrase "the pen is mightier . . ." Very highly recommended for anyone who wants to understand how cultures are dominated by words, as well as how cultures can be liberated by resuscitating old voices or creating new voices for new times.Rating Based On Books Culture and Imperialism
Ratings: 4.15 From 4419 Users | 153 ReviewsCriticize Based On Books Culture and Imperialism
I didn't finish this to be honest. I got halfway through and gave up. He analyses Verdi's opera Aida as an example of his thesis on the Imperialising nature of western culture because of factors like the fact that Verdi didn't present a thoroughly accurate version of Egyptian society in the opera. He included women among the dancers at one point when in fact it should have only been men. Shakespeare refers to the coast of Bohemia in a Winter's Tale. It doesn't matter that Bohemia is landlocked,Culture and Imperialism is an expansion for the first book called Orientalism, in several respect Edward Said, depict the Press publications of AL Intifada, and several things that relate to the middle eastern questions. Here Edward Said uses a lot of philosophical conceptions such as the one Gramci, and some of Literature figures like CONRAD and Jane Austen. In fact Edward Said, is a real professional when it comes to such concept of Orientalism.
meandering and totally, utterly fascinating. said does a brilliant job of revealing the ways that empire is overtly and covertly portrayed in the arts (primarily literature) from the late 1700s onward. joseph conrad, jane austen, yeats, verdi, and kipling are all given detailed attention. i got through most of it before i decided to reread it all. said's style is somewhat sprawling and he also includes a fair amount of higher level theoretical analysis. so, i needed to revisit it all to better
The well written book about contrast between Third World cultures' and imperial nature of Western power. Without no doubt, Said is one of the influential thinker of the 20th century.However, the book is complex with lots of examples which demand deep understanding of the contexts as well as references.
Edward Said makes one of the strongest cases ever for the aphorism, "the pen is mightier than the sword." This is a brilliant work of literary criticism that essentially becomes political science. Culture and Imperialism demonstrates that Western imperialism's most effective tools for dominating other cultures have been literary in nature as much as political and economic. He traces the themes of 19th- and 20th-century Western fiction and contemporary mass media as weapons of conquest and also
Edward Saids Culture and Imperialism employs a contrapuntal reading strategy by which he asserts the needs to examine texts from the perspectives of both colonized and colonizer. To read a text contrapuntally is to read it with a simultaneous awareness both of the metropolitan history that is narrated and of those other histories against which (and together with which) the dominating discourse acts (51). Contrapuntal reading requires not only reading the text in terms of what it includes but
In this followup to his classic Orientalism, Saïd looks closer at 20th C British and American imperialism. In this series of essays, he "consider[s] it the aesthetic object whose connection to the expanding societies of Britain and France is particularly interesting to study. The prototypical modern realistic novel is Robinson Crusoe, and certainly not accidentally it is about a European who creates a fiefdom for himself on a distant, non-European island."If you wonder why a white person
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