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The Street of Crocodiles Paperback | Pages: 160 pages
Rating: 4.14 | 6545 Users | 551 Reviews

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Original Title: Sklepy cynamonowe
ISBN: 0140186255 (ISBN13: 9780140186253)
Edition Language: English
Setting: Poland Poland
Literary Awards: Prix du Meilleur Livre Étranger for Roman (1974), Tähtifantasia Award (2014)

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The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.

Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

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Title:The Street of Crocodiles
Author:Bruno Schulz
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 160 pages
Published:March 1st 1992 by Penguin Books (first published 1933)
Categories:Fiction. Short Stories. European Literature. Polish Literature. Classics. Magical Realism. Cultural. Poland

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Ratings: 4.14 From 6545 Users | 551 Reviews

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Profoundly weird in the best of ways. Sort of like a bizarre hybrid of Proust, Kafka, and the '30s surrealists. There are moments in here that match the best I've experienced in any book. The first collection in particular, Street of Crocodiles, is a Winesburg, Ohio style linked set of stories that does tremendous work. Bumped down a star only because for large chunks of pages my mind wandered - the experimentalist tangents can go on for way too long. But this is an accomplishment. The "if only"

A strange and magical experience. The small stories in this book are language-drunk, old-world-surrealism, the emphasis on the weird life of objects, and a father who at various times turns into a bird, saves the world, forgets his wallet, pursues the maid, creates a world out of bolts of cloth, and--of course! becomes a cockroachthe Mittel-Europa city that morphs and morphs again Only the maid never changes from story to story. A vanished world, a child's wavering sense of reality, a street of

PrefaceThis volume contains two collections of short stories and three additional stories that were originally published with Schulz's letters, drawings and miscellaneous prose.I'll review each of the collections separately under their GR titles.After only two or three stories, I started having really vivid responses, which I turned into a story. I normally place any creative responses to a book at the end of my more analytical review. However, this time, I'll reverse the order, so that the

What is reality? One of the best questions, I think, in the world. Regardless of the answer, The Street of Crocodiles takes us into the mythical and dreamlike reality of Schulz. His Polish childhood, yes, but what else! Countless bizarre happenings, impossible things with no explanations, as wonderful as Kafka. Surreal and beautiful, two words to describe the book. The translation I have is beautiful too. How I wish I could read Schulz's talent in his native tongue. The 'chapters' are named as



This book. This goddamn book. The Street of Crocodiles tore threw me like electricity. Or enchiladas. Or electric enchiladas. You get the picture. It is so painfully lovely, so exquisitely wrought, that you have to read it to believe the defying of gravity that Schulz accomplishes here. This rare astronaut; this martyred martian. The most immediate comparison (which I dont know why I feel compelled to make, other than with hope that it compels someone to read it) is Calvinos Cities. In terms of

When I think about Bruno Schulz' life story, I always feel a pang in my heart. I'm known for my displays of pity regarding every living being, even trees (several nights ago, after a big storm, I found a young tree that was bent and was probably going to be cut down; I felt so sorry for it that went out, straightened it and tied it). So it's no surprise that the unjust death of Schulz and the disappearance of his other writing provokes a dull ache in my heart, especially after having an insight